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When you make a conscious choice to be happy, no one can take it away from you because no one gave it to you: you gave it to yourself.

A quote from April Green's - Bloom For Yourself Journal

Tuesday, 8 June 2021

Welcoming David Loux and his book - Chateau Laux - to my blog

Today I'm welcoming David Loux and his book - Chateau Laux - to my blog as part of the blog tour hosted by The Coffee Pot Book Club (founded by Mary Anne Yarde)

I'm delighted to share an excerpt with you all, but first I will introduce the book.

Chateau Laux

 

A young entrepreneur from a youthful Philadelphia, chances upon a French aristocrat and his family living on the edge of the frontier. Born to an unwed mother and raised by a disapproving and judgmental grandfather, he is drawn to the close-knit family. As part of his courtship of one of the patriarch’s daughters, he builds a château for her, setting in motion a sequence of events he could not have anticipated.
 
Publication Date: April 6, 2021 
Publisher: Wire Gate Press 
Page Length: 292 Pages 
Genre: Historical/Literary Fiction 
 
You can purchase a copy via - 
 
Amazon UK: https://www.amazon.co.uk/Chateau-Laux-Novel-David-Loux/dp/1954065019

Amazon US: https://www.amazon.com/Chateau-Laux-David-Loux/dp/1954065019

Amazon CA: https://www.amazon.ca/Chateau-Laux-David-Loux/dp/1954065019

Amazon AU: https://www.amazon.com.au/Chateau-Laux-Novel-David-Loux/dp/1954065019 

Barnes and Noble: https://www.barnesandnoble.com/w/chateau-laux-david-loux/1138853964 

Kobo: https://www.kobo.com/us/en/ebook/chateau-laux

Now for the excerpt -

Excerpt from Chateau Laux, starting on Chapter TWENTY-FIVE, Page 207 . . .

The shepherd boy gave Pierre his bag of culinary spices, assuming Pierre would have need of them and that a good meal was all he could hope for in the civilized wilds ahead, and Pierre clambered down, through precipitous, boulder-strewn drop-offs. For a time, the shepherd stood in plain view, watching him descend the slope, and then the boy was gone, a bit of cloud hanging where he had been. There was the blue sky, the bit of cloud, the leaning fringes of trees, a little apron of meadow and the rocks, the downslope that soon towered above him, the wood smoke and sewer smells of the city, cows with bells and barking dogs, sniffing, trailing dogs with bristling backs, staring people who watched as he approached and then turned their backs, watching him from the corners of their eyes until he was safely past and beyond the reach of harm to them.

Though no one made a friendly gesture, no one challenged him, either, and he found himself in the town square. In the center of the square was a fountain, with water gurgling up and spilling over a mass of stones. An old woman sat on a bench beside the fountain. She wore a black headscarf and a long black shawl. Gray hair wired out around the scarf and she had a dark, leathery face with a beaked nose. She seemed to doze, hands with prominent knuckles folded in her lap, and ankles wrapped in cotton stockings, heavy black shoes resting with the heels apart.

“Do you mind if I sit next to you?” Pierre asked, and she looked at him with a fierce, stabbing eye.

“If you think you dare,” she said.

“Why would I not dare?” he said, cautiously.

“Some say I have the evil eye.”

“Do you?”

She gave a contemptuous laugh and shrugged.

“Some say it and that’s enough for most,” she said, turning her head to the side to spit.

“I’ll sit then, if you don’t mind,” he said, lowering himself to the bench. He paused for a moment, then gave her a sideways look. “But if you do have the evil eye and think you might want to give it to me, I would like to suggest I have had enough troubles without adding to them. I wouldn’t mind a reprieve, if you don’t mind my saying so.”

She opened her mouth and started to silently laugh, drawing in breaths and pushing them back out again.

“I was thinking of taking a nap, sitting here in the sun, but now I think that I won’t. You’ve caught my interest. I don’t get a chance for many conversations and precious few laughs. You’re not from around here, I can plainly see. As can anyone, for that matter. I bet you got a warm reception.”

“Not hardly!” he exclaimed. “No one will even look at me!”

Her shoulders rocked with silent laughter.

“Is it any wonder? You could be the devil himself, come down out of the mountains. Eaten any children, have you? Fancied any of the maidens you might have seen peering at you past partially closed shutters?”

“What makes you think I came down from the mountains?”

“You look like a shepherd and smell like sheep.”

“I do?” he said, astonished at the impression he’d made on the old woman and presumably the townsfolk as well. He was a nobleman’s son, after all, and still thought of himself as such, in spite of the ordeals he had suffered.

“Shepherds are a scary lot, a little bit wild and unpredictable, all that starry sky on the mountaintops. Living with the winds in the trees and making your own medicines out of nature’s herbs. People around here need the likes of you to watch their sheep over the grazing months, but it’s best you stay in the mountains where you belong in the in-between times. Stop in a town too long and some might take a mind to burn you at the stake,” she said, only partly in jest.

“I’m not a shepherd.”

“Could’ve fooled me,” she retorted.

“I’m looking for some people who live here,” he said.

“I figured you wanted something. Nobody sits down next to an old woman with the evil eye unless they’ve got good cause.”

He explained who he was looking for and she gave him a sharp look.

“They were big house people and been gone a long time now,” she said, choosing her words with care. “Is that what you are—a big house person?”

Pierre’s mind reeled at the thought that he had come all this way for naught.

“What happened that they left?” he said.

“To hear it told, it was the house they lived in. It burned to the ground. Some say it was the soldiers on account of they were heretics. Others say it was people from the town who did it. You know how people can be when they get ideas in their heads. I couldn’t rightly tell you what happened, one way or the other.”

Pierre stood up to leave and the old woman softened.

“Goodbye, shepherd boy,” she said.

“How many times do I have to tell you—”

“I know,” she interjected, giving him a rare smile. “But better, perhaps, if you were,” she offered.

David Loux
 
David Loux is a short story writer who has published under pseudonym and served as past board member of California Poets in the Schools. Chateau Laux is his first novel. He lives in the Eastern Sierra with his wife, Lynn.
 
You can connect with David via these platforms -

Website: https://wiregatepress.com/

Twitter: https://twitter.com/ChateauLaux

Goodreads: https://www.goodreads.com/book/show/56342730-chateau-laux

Amazon Author Page: https://www.amazon.com/David-Loux/e/B08WZ8MVT5

You can also learn more about the book and the author by visiting the other blogs on this tour.


 That's it for now.

Till the next time.

Take care Zoe


 

Thursday, 3 June 2021

Welcoming Jean M Roberts and her book - The Heron - to my blog

 Today I'm welcoming Jean M Roberts and her book - The Heron - to my blog as part of the blog tour hosted by The Coffee Pot Book Club (founded by Mary Anne Yarde)

I am delighted to share an interesting insight into the inspiration for the novel as we chat with author Jean M Roberts, but first I will introduce the book.

The Heron

The past calls to those who dare to listen…

An invitation arrives; Abbey Coote, Professor of American Studies, has won an extended stay in an historic B&B, Pine Tree House. The timing is perfect. Abbey is recovering from an accident which left her abusive boyfriend dead and her with little memory of the event.

But her idyllic respite soon takes a terrifying turn. While exploring the house, Abbey comes face to face with Mary Foss, a woman dead for 350 years. Through a time/mind interface, Abbey experiences the horrors of Mary’s life, living at the edge of the civilized world in the 1690’s New England.

As Abbey faces her worst fears, she struggles to free them both from the past.

Publication Date: 15 April 2021

Publisher: Black Rose Writing

Page Length: 252 Pages

Genre: Historical Fiction/Time Slip

You can purchase a copy of the book via -

Amazon UKAmazon US

Now for the guest post -

The Heron is my third novel, the first two are what I would consider to be pure historical fiction. For this book, I knew I wanted to do something a little different. I have always loved time-slip novels. I think the first one I read was Daphne du Maurier’s The House on the Strand in which the main character drinks a potion which enables him to travel back in time. Other favorites were Lady of Hay by Barbara Erskine and Anya Seton’s Green Darkness. Contemporary writers who have inspired me are of course Diana Gabaldon and Susanna Kearsley. For The Heron, I wanted to blend my love of historical fiction, genealogy, and time travel to create my own original interpretation of the time travel genre.

Time Travel has always been a popular sub-genre that generally falls into the Science Fiction camp. There are all sorts of methods to achieve this journey into the past; a machine of some sorts, a portal such as Gabaldon’s rune stones that one ‘passes through’, a knock on the head or a mind-altering drug. Michael Crichton, in Timeline, used a machine that disassembled you and transported you into the past where you were put back together, kind of like the transporter in Star Trek. I think I’d have to pass on that one. What happens to you when you time travel? Some characters are themselves; some assume the persona of a person who lived in that age. It was fun trying to work out answers to these questions.

The historical setting for the book is the late 17th century in New England; Oyster River, New Hampshire, to be exact. The period is one of great conflict; the first of the French and Indian Wars, 1688-1697 was raging as raiders swept down from Canada to kill or capture unwary colonists. I did an enormous amount of research to ensure that the period details were just right. Several of my ancestors lived along the river at that time and make a brief appearance in my story. Sadly, some of them did not survive the war. I felt a responsibility to get their story just right. My goal was to immerse the reader in their world; make them feel it, see it, taste life in the 1690s. Theirs was the gritty life of the working people, as opposed to the glittering world of kings and queens.

My second goal was to make those long-ago people feel real, let the reader connect with them emotionally. Sometimes we forget that our ancestors were flesh and blood humans with the full gamut of emotions, wants and needs. My character, Mary Foss, was born about 1670. Her grandparents would likely have been born in England, making her a second generation ‘New Englander’. Not yet an American, but not quite English, either. She lived in a culture vastly different to ours. In an effort to humanize her, I made her a complex person who doesn’t always make the best choices. I wanted readers to sympathize with her, get angry at her and hopefully cheer for her.

My modern main character, Abbey, encounters Mary as both a ghostly presence and through the element of time-slip. Abby has lost her abusive boyfriend in an accident. Her memories of that event are muddled. She feels guilt and shame for allowing the abuse to continue. Abbey views the events of Mary’s life, seeing her world without being physically present in it. Abbey is there to observe. She comes to realize they have much in common. Despite the 350 years that separate them, they are bonded in by the kinship of womanhood. And this was my third goal, to connect the past with the present to highlight our commonality instead of our differences.

Jean M Roberts

With a passion for history, author Jean M. Roberts is on a mission to bring the past to life. She is the author of three novels, WEAVE A WEB OF WITCHCRAFT, BLOOD IN THE VALLEY and THE HERON. After graduating from the University of St. Thomas, Jean served in the United States Air Force, she has worked as a Nurse Administrator and is currently writing full-time. She lives in Texas with her husband.

You can connect with Jean M Roberts via these platforms -

WebsiteTwitterInstagramFacebook

You can also learn more about the book and the author by visiting the other blogs on this tour.


 That's it for now.

Till the next time.

Take care Zoe

 

 

 

 

 

Wednesday, 2 June 2021

Welcoming Clare Flynn and her book - Sisters At War - to my blog.

  Today I'm welcoming Clare Flynn and her book - Sisters at War - to my blog as part of the blog tour hosted by The Coffee Pot Book Club (founded by Mary Anne Yarde)

I'm delighted to share an excerpt with you all, but first I will introduce the book.

Sisters At War

1940 Liverpool. The pressures of war threaten to tear apart two sisters traumatised by their father’s murder of their mother.

With her new husband, Will, a merchant seaman, deployed on dangerous Atlantic convoy missions, Hannah needs her younger sister Judith more than ever. But when Mussolini declares war on Britain, Judith's Italian sweetheart, Paolo is imprisoned as an enemy alien, and Judith's loyalties are divided.

Each sister wants only to be with the man she loves but, as the war progresses, tensions between them boil over, and they face an impossible decision.

A heart-wrenching page-turner about the everyday bravery of ordinary people during wartime. From heavily blitzed Liverpool to the terrors of the North Atlantic and the scorched plains of Australia, Sisters at War will bring tears to your eyes and joy to your heart.

Publication Date: 1st May 2021

Publisher: Cranbrook Press

Page Length: 314 Pages

Genre: Historical Fiction

You can purchase a copy of the book via -

Universal Link:https://books2read.com/sistersatwar

Amazon UK: https://amazon.co.uk/dp/B08Z473XG2

Amazon US: https://www.amazon.com/Sisters-War-wartime-voyage-across-ebook/dp/B08Z473XG2/

Amazon CA: https://www.amazon.ca/Sisters-War-wartime-voyage-across-ebook/dp/B08Z473XG2

Amazon AU: https://www.amazon.com.au/Sisters-War-wartime-voyage-across-ebook/dp/B08Z473XG2/

Kobo: https://www.kobo.com/us/en/ebook/sisters-at-war-1

Now for the excerpt -

They were off the north coast of Ireland when the torpedo struck. Less than twenty-four hours out of Liverpool. U-47 had one torpedo left and was returning to Germany, when the zig-zag course of the Arandora Star caused the U-boat captain to guess that it was an enemy ship.

At six in the morning, Paolo was asleep on the top deck. He was woken by a loud dull thump, as the missile smashed straight into the engine room, breaking the back of the ship. Men were thrown into the sea, spewed out like ash from a volcano.

In the chaos and shock that ensued, Paolo saw that some of the lifeboats had been damaged by the explosion. The ship was listing sharply, rendering the lifeboats on the uppermost side of the ship unlaunchable – swinging uselessly on their davits over the deck rather than the sea. Those that were usable were being lowered in a frenzy of panicked activity. Prisoners, guards, crew, and some of the men who had been pitched overboard, were pulled inside them.

Many of the Italians were too terrified to move. Paralysed. A number of elderly men appeared too frail and shocked to do anything; others were screaming that they couldn’t swim. Most of the Italians were on the lowest deck and had further to climb through the ship towards safety, by which time most of the functioning lifeboats were full or on the water, requiring a jump. Some of the cabin doors on those lower decks had jammed as a result of the explosion, leaving men trapped inside.

The early morning air was rent with screams of ‘Aiuto!– help me! – or desperate cries of prayer and pain. This motley band of mainly blameless men: hoteliers, caterers, hairdressers, waiters, shopkeepers, and doormen, were still in shock from being torn from home and family when they had committed no crime. Most were over fifty – several in their sixties and seventies – and now they were bewildered participants in a sea battle they’d never expected.

One of the crew handed Paolo a life jacket and he spotted Alfonso several feet away. The grocer looked wretched, his eyes hollow, his face gaunt. Paolo grabbed another jacket and pushed his way through the crowd towards his friend.

We must get into a lifeboat. There are still spaces,’ he told him. ‘The ship is sinking. We must get in a boat now.

But by the time he and the shocked Signor Giordano reached the last of the lifeboats, it was already full and being lowered towards the sea.

Paolo looked about. The ship was going down. His years as a seaman left him in no doubt. ‘We’ll have to jump.’

I can’t swim,’ Alfonso said. ‘I never learnt.’ Around them, men were diving or jumping into the sea, but there were hundreds of others rushing around on the deck in a blind panic, fuelled by terror. German voices mixed with English, and Italian. Those deciding to take their chances in the sea seemed to be predominantly German – many of them merchant seamen like Paolo, or British guards and crew, while the elderly Italians stubbornly refused to budge, clinging onto the rails. They couldn’t believe that it could possibly be safer in the water than here on the – now steeply sloping – deck.

‘I’ll help you.’ Paolo tugged his arm, desperate. ‘You have to jump. Please, Alfonso. I beg you. It’s our only chance.’ He indicated the water below where men were bobbing around. ‘Look you can see how the water level has risen up the hull. The ship is broken. Trust me, I’m a sailor. It’s going to sink.’ He tried to control the fear in his voice.

But Giordano clung to the railings, his eyes brimming with tears. ‘I can’t do it. I can’t. You go.’ His face contorted in terror.

Paolo tried to help his friend to put on the life jacket, but Alfonso shoved him away. As he did so the life vest was grabbed by someone else. Below them, the sea was littered with debris, dead bodies, men swimming towards the lifeboats and a growing slick of black oil. The stricken vessel creaked ominously.

No. No. I can’t.Alfonso’s voice, barely a whisper, dripped fear.

Please, come with me, Alfonso.’

No!’ He shook his head rapidly, the fear pulsing off him, his eyes wild. Go! Tell my Maria I love her.’ He pushed Paolo towards the railing.

Paolo wasn’t ready to die. Jumping was the only hope he would ever have of seeing Judith again, With one last pleading look at Alfonso, he clambered over the railings and let himself drop towards the waters below.

Clare Flynn

Clare Flynn is the author of thirteen historical novels and a collection of short stories. A former International Marketing Director and strategic management consultant, she is now a full-time writer.

Having lived and worked in London, Paris, Brussels, Milan and Sydney, home is now on the coast, in Sussex, England, where she can watch the sea from her windows. An avid traveler, her books are often set in exotic locations.

Clare is a Fellow of the Royal Society of Arts, a member of The Society of Authors, ALLi, and the Romantic Novelists Association. When not writing, she loves to read, quilt, paint and play the piano. 

You can connect with Clare Flynn via these platforms -

Website: https://clareflynn.co.uk/

Twitter: https://twitter.com/clarefly

Facebook: https://www.facebook.com/authorclareflynn

Amazon Author Page: http://www.amazon.com/Clare-Flynn/e/B008O4T2LC/

Goodreads: https://www.goodreads.com/author/show/6486156.Clare_Flynn

Instagram https://instagram.com/clarefly

LinkedIn: https://www.linkedin.com/in/clareflynn/

Pinterest: https://www.pinterest.co.uk/clarefly/

Book Bub: https://www.bookbub.com/authors/clare-flynn

You can also learn more about the author and the book by visiting the other blogs on this tour.


That's it for now.

Till the next time.

Take care Zoe

 


 

 


 

 

Weloming Tim Standish and his book - The Sterling Directive - to my blog.

 Today I'm welcoming Tim Standish and his book - The Sterling Directive - to my blog as part of the blog tour hosted by The Coffee Pot Book Club (founded by Mary Anne Yarde)


 Delighted to share an excerpt with you all, but I'll introduce the book.

The Sterling Directive

It is 1896. In an alternative history where Babbage’s difference engines have become commonplace, Captain Charles Maddox, wrongly convicted of a murder and newly arrested for treason, is rescued from execution by a covert agency called the Map Room. 

Maddox is given the choice of taking his chances with the authorities or joining the Map Room as an agent and helping them uncover a possible conspiracy surrounding the 1888 Ripper murders. Seeing little choice, Maddox accepts the offer and joins the team of fellow agents Church and Green. With help from the Map Room team, Maddox (now Agent Sterling) and Church investigate the Ripper murders and uncover a closely guarded conspiracy deep within the British Government. Success depends on the two of them quickly forging a successful partnership as agents and following the trail wherever, and to whomever, it leads. 

An espionage thriller set in an alternative late 19th-century London.

Publication Date: 20 August 2020

Publisher: Unbound

Page Length: 304 pages

Genre: Alt-historical thriller

You can purchase the book via -

Amazon UK: https://www.amazon.co.uk/dp/1789650852/

Amazon US: https://www.amazon.com/dp/1789650852/

Amazon CA: https://www.amazon.ca/dp/1789650852/

Amazon AU: https://www.amazon.com.au/dp/1789650852/

Barnes and Noble: https://www.barnesandnoble.com/w/the-sterling-directive-tim-standish/1137267348?ean=9781789650860

Waterstones: https://www.waterstones.com/book/the-sterling-directive/tim-standish/9781789650853

Audio: https://www.waterstones.com/audiobook/the-sterling-directive/tim-standish/gordon-griffin/9781004016792

Now for the excerpt -

The room was square, the floor paved with the same stones as the hallway, the walls whitewashed. By contrast to the corridor it was quite warm and brightly lit by a variety of electric lamps positioned on a tall set of metal shelves against the back wall. Against the left-hand wall was a rough trestle table, its surface crammed with cylinders, punch cards, wiring and assorted bits of semi-identifiable technology. Taking up most of the rest of the room, so that there was barely space to walk between it and the table, was a relatively new-looking analytical engine, wires and cables draped away from it in every direction.

Bracketed to the wall in the centre of the table was a larger and more modern version of the kinetic display I had seen in Cooper’s and sitting in front of it was a slight figure in shirt sleeves and braces, engrossed in soldering something to the side of a telegraph encoder. His long white hair was archaically ribboned tight at the nape of his neck, and at first I thought him decrepitly old, then, as he stopped what he was doing and pushed himself back from the desk on a wheeled chair, I realised he was much younger.

And then she turned around, and I realised that it was a young woman, no more than twenty years old, and my first thought was to wonder where her parents had got to. Tilting back in the chair, she shifted a set of bug-eyed goggles up onto her head and regarded us both with a look that gave the impression that, on a list of things she would rather be doing, engaging with us would not have featured highly. She had a slim face and the kind of dainty, girlish features more in keeping with a society salon than a cellar full of technological odds and ends.

‘What do you want?’ Her voice was high, her tone exasperated, her accent pure deb.

‘Patience. This is Sterling. Needs his Bertie sorting.’ ‘Pleased to meet you.’ I held out my hand.

Rolling her eyes, she gave my hand a perfunctory shake and dug out a wire-festooned helmet from amongst the clutter scattered across the desk. She flicked switches on the engine which spun into life and the familiar clatter of a teletype started up. ‘Grab a chair from somewhere.’ She pointed over her shoulder towards the back of the room. I waited until she was back at the desk before I attempted to squeeze past. I found a folding canvas stool, one of several stacked by the shelves, and sat down at the desk on the side nearest the door. The screen in front of Patience flickered, strings of words and numbers rip- pling upwards. She leaned over and settled the helmet on my head then, seemingly satisfied, returned to the keyboard. ‘Be two minutes to mount it.’

‘Getting slow, Patience, used to be quicker.’

‘Give it a rest, Church, why don’t you?’ Patience said in an uninterested voice, still staring intently at the screen in front of her. ‘Everything’s so shuttered up now even connecting takes a genius. Too many tappers trying to steal stuff. Apparently.’ She shook her head, her eyes and mouth wide in exaggerated horror. ‘Shocking.’ She leaned forward to inspect the screen, one hand hovering over the keyboard in front of her, the other on a black dial set into a small box. ‘Which is why…’ She clicked the dial round, tapped keys, paused, tapped some more. ‘We have to make a slight detour to get to where we want to be.’

‘And where is that?’ I asked.

For the first time since we had entered the room the frown vanished, and a grin darted across her pale, elfin face. ‘At this very moment … a census branch office in Tenby transmit-ting a batch of regular updates to the central records depot in Neath, where we are pausing briefly to indulge in some diabolical evildoing!’ She ended her explanation with a passable imitation of a pantomime villain’s laugh, then flicked the dial to a different position. I felt dots of pressure across my head as the helmet took its measurements. She watched the screen carefully, typing a series of entries.

‘What kind of evildoing, exactly?’ I asked her.

She didn’t look round. ‘One. We are removing every descriptor or distinguishing feature of you from your public record so that it is impossible to identify you. Two. I am replacing all of that information with new values that in no way resemble you. Three. I am keeping a copy of your real data here so that I can produce an endless stream of false but highly believable identities for you.’ She pressed the keyboard one last time and swivelled in the chair. ‘And, voila, you are now invisible. Thank you. Thank you very much.’ She raised her hands and nodded gently, a modest conjuror accustomed to the roar of her audience.

Tim Standish


Tim Standish grew up in England, Scotland and Egypt. Following a degree in Psychology, his career has included teaching English in Spain, working as a researcher on an early computer games project, and working with groups and individuals on business planning, teamworking and personal development.
He has travelled extensively throughout his life and has always valued the importance of a good book to get through long flights and long waits in airports. With a personal preference for historical and science fiction as well as the occasional thriller, he had an idea for a book that would blend all three and The Sterling Directive was created.


When not working or writing, Tim enjoys long walks under big skies and is never one to pass up a jaunt across a field in search of an obscure historic site. He has recently discovered the more-exciting-than-you-would-think world of overly-complicated board games.

You can connect with the author via these platforms -

Twitter: https://twitter.com/timstandishUK

Goodreads: https://www.goodreads.com/book/show/54755325-the-sterling-directive

You can learn more about the book and the author by visiting the other blogs on this tour.

That's it for now.

Till the next time.

Take care Zoe